Science is like Freud and Marx: a ravaged source of literary bleating. Type the word Freudian, psychoanalytic, Jungian, archetype, Marxist or socialist into a standard essay, and you've got an A, my friend. A few years ago, Ian McEwan wrote Solar, which coerces climate change to shake hands with more bleating about culture and philosophy, while some very unamused scientists watch. Science has been made into a concept! At least Freud and Marx encouraged our adoration. Science was happily breaking things and putting them back together to see if it could when we took a photo and stole its reflection.
Karl Popper was a smart man, but doesn't draw the same kind of crowd as Freud and co. In fact, I know educated people who do not know who he is. (And here is where the problem at hand throws itself at us. Duck! I have to exclude all the other things Popper said to make my point and this may be the only thing about Popper you and I will ever know. Which may be fine, but which may also distort our understanding of the world. Because what I say Popper said may not be not be what he said, strictly speaking.)
Popper devised a scientific method, which was meant to scaffold how hypotheses were tested and/or proved, so that we don't ignore the next guy who says the world is round-ish. Basically, try to prove the opposite of what you want to prove. This way you save yourself time, by identifying gaps and exceptions, so that you can adapt your hypothesis and then try to prove the opposite, and you don't taint the whole thing - and science itself - with your desire to be right.
Please read something about Popper, even Wikipaedia. So that I do not hold myself responsible for your trust in me.
I don't put much faith in my senses, especially after watching The Matrix and reading the novels of Philip K. Dick, or just media in general, and passing first-year philosophy (which obviously makes me an authority). (I certainly don't put much faith in your senses.) (Do I need to go over the irreconcilability of the words 'subjective' and 'truth' again?) Neither do I put my faith in science. Wait! What I'm saying is that faith and science are also irreconcilable.
Science is a description of, well, everything, including the things I don't put much faith in. Hypotheses are the labels we stick to things. The things themselves don't care much whether we stick them on by gravity or tape, which is really my point: some hypotheses are no-brainers (unless you want to deny the flow of electricity or how paper is made) and others are informed guesses (how Allosaurus ate (like a falcon, ripping at the flesh) and that the universe is expanding).
You spotted it, huh? The contradiction? I don't have faith in my senses or yours, but I accept that science has a good strike rate? Ah, young Padawan, but science doesn't care. It also doesn't read Philip K. Dick.
Just a hop, skip and jump, and we've arrived at another point. (Another one? You struck it lucky, folks.) Science is not a religion, nor does it build altars nor gather followers. It just (altogether now) doesn't care. Oh, there are fanatics and fundamentalists and extremists, who think the choice is stiff-upper-lipped logic or bust. Every concept in the history of history has some of those. People who need a yoke, but preferably not the one everyone else is chained to, because clearly their brains have been wiped free of psychology and all that angst of growing up without a pool.
We're getting there...
I failed Science in Grade 9, which meant I couldn't take it in Grade 10. I was smart enough for Biology and Maths though. Then I grew up and began to decide for myself who I am and found, despite the attempts of the best textbooks, I really like science. Really, who doesn't? Trees, planes, dancing; the world is a set of things that can be hypothesised and described (although, granted, that doesn't make the hypothesese right). Okay, maybe I only like pseudo-science. Magazines and books about pseudo-science, and maybe the odd experiment.
Ok, ok, I like knowledge, but maybe that's the same thing. Except I fall on the sceptic side of the epistemological scale. I grew up without a pool, okay!
I was reading one of these magazines when it told me (blithely) that Schrodinger's Cat is a thought experiment to show that quantum physics and the laws of relativity abide by the same logic. Because the cat is alive and dead until you observe it. Only if it's the size of an atom... See, Schrodinger placed his cat in a box (black and white, fyi) with a poison bomb. Until you open the box, you can't know whether the cat is alive or dead. (Unless you kick the box and the cat kicks back.) Note the preposition here: and vs or.
This writer may have been a fundamentalist and is definitely a solipsist, because if something could be bigger than an atom and in two states at once, I'd observe the food in my refrigerator never going off and my favourite characters in a series never getting their heads chopped off during the Red Wedding.
The cat gets maybe poisoned to show that the physical world is not governed by the laws of tiny solipsistical things. Not that that really needs proving but we humans need to understand our world and educate others including fundamentalists. Newton and Einstein can rest easy for the time being. So can gravity.
How did this error get into a well-known science magazine? (Having been in magazine publishing before, I can tell you, but that would be like showing you that there is only glitter in the middle of my crystal ball.) This is a whopper but most mistakes are more subtle. Honestly, if you are interested in science, it won't be long before you discover the world isn't magic and that the cat is dead because it isn't moving or making a noise and so you are the worst kind of human being. It is the danger of simplifying something you need to beware of.
Like, you are an artist and you're painting a tree (you're bored and there aren't any cats in boxes around). The leaf is green, you think, pulling out your pre-mixed paint. Er, it's also yellow. And blue. Maybe purple. Dark green, light green, even some red. You tell a five-year-old the leaf is green (and hopefully they will look at you askance because clearly a thing can be more than one thing at a time), but you tell a budding artist to look more closely (whereupon they may also look at you askance).
Bill Bryson's A Short History of Nearly Everything is a good example. I enjoyed it, but I wouldn't recommend the geology section to a geologist, because he knows the leaf isn't just green. Or something. Karl Marx and Audrey Hepburn may have lived and died in the same century, but that doesn't tell me much about the 20th century except that Karl Marx mistrusted wealth and Breakfast at Tiffany's is about Holly Golightly ogling a diamonds in a jewellery store display.
Richard Dawkins also writes science books, but he does so with a cattle prod in his other hand and none of his books have geology sections. Phew. Imagine what he could do to geostrata.
Even having read that noxious editorial error and despite some misgivings, I purchased a copy of Michio Kaku's Physics of the Future. Oh, I haven't read it yet. It's just that, he has written more books than I can count on one hand, and the titles deteriorate with time from Introduction to Superstrings to The Future of the Mind. This particular book considers time travel and AI. Seriously considers it. Even when history teaches us that it goes its own way and science doesn't care.
Another of his books is Parallel Worlds. It explores the multiverse - you can take it from here - a series of bubble universes. Theoretically, there is another me who didn't fall for the nonsense about doing something you love and suffering for your art. She is being paid to travel around the world and consult with large firms about something very boring but very specialised. Or she is living her principles and doing charity work because either she doesn't mind sharing a room with three students or she has a rich husband.
This is all apparently part of a part of string theory, which is part of an attempt to explain why Schrodinger's Cat lets Schrodinger put him in a box in the first place. In other words, it wants to be The Grand Unifying Theory and explain why atoms can be in two places at once but my begonias are dead and not waiting for me to observe them being alive.
String theory is the frontrunner (although that doesn't mean you have to accept the multiverse - not that the universe cares), or so science writers tell me. But, the other day, a reliable (aren't they all...) science news site described a new theory based on the nature of copying in digital media. (In literature, we call that simulacra, but hey, I don't put faith in my senses anyway.) Now I'm perpetuating the sloppiness of pseudo-science, because that was one of the only things I understand. And another scientist from another elite university endorsed the paper, though I think he was sniggering at the end.
Popper can't help me here. What is the opposite of the Copier Theory? The Deletion Theory? Instead of a universe, a zeroverse, a finiteverse, a cat-in-the-boxverse? I'm going back to bleating because a Freudian or Marxist reading of the philosophy of science is far easier than disproving hypotheses of people who may or may not be oversimplifying things and convincing you that the universe depends on you noticing it.
It's difficult to resist the romance that you can will things alive or dead, that you know everything about the world and that everything is connected at some abstract level. Even when you put little faith in your senses and less in those of someone else. Which is why I shall read the book and tell you that all these things are true because a guy who looks very much like Einstein wrote it down. I like science fiction. However, I may never finish Dawkins' The God Delusion, the Joyce and Ulysses of the scientific world.
A blog about a life lived in literature and a career in publishing, with occasional musings and rants.
Showing posts with label Richard Dawkins. Show all posts
Showing posts with label Richard Dawkins. Show all posts
Friday, June 27, 2014
Saturday, October 19, 2013
The Magic of Reality
"How we know what's really true." (We don't and nothing, she said, discombobulating? discorporealising? dematerialising!) But Philip Pullman says it's better than Bill Bryson's tome and Ricky Gervais says he knows enough science now to write his own book (the same book, I'd think, but maybe he can get the illustrations redone. Or just done. And insert some witticisms). I don't enjoy detective thrillers (that's what the blurb says it is), but I do enjoy popular science.
A popular science book is an odd choice for a plane ride when you're aweary and the airline has ignored your many pleas (ok, barbs) for help (ok, vengeance). My Kindle I had mislaid? misplaced? left on the hotel bed! I slept through the flight anyway.
The Magic of Reality is basically a much much (much) thinner A Short History of Nearly Everything, but it focuses on answering specific questions that a layman with a high school F in science might ask. Mostly because she has forgotten. Perhaps intentionally. "What is a rainbow?" was enlightening. (Har!) Also "What are things made of?" because it is about atoms. Atoms, people - person. Endlessly fascinating.
As a friend pointed out, this type of book will be bought by this type of reader. It's pitched at young people, to improve 'scientific literacy'. Only if your parents are scientists or you are failing science and have bought every study guide on your and the nearest continent (via Amazon.com obviously). Chances are you spend your nights hunched over something that steams or rattles, with a single study lamp that casts a halo of light around you. The equivalent of reading after bedtime under your bed covers.
There is one other reason you might read this book. The reason I have held off mentioning the author until now. (Was I sneaky enough? Or did you cotton on in paragraph 2? That's usually where it happens. Yep. Blogger Stats tells me so. No, not really. We're waiting for the pupil tracking implants. Not, not really.) It's one of the reasons I chose this book for my aweary, vengeance-d, Kindle-less flight. Richard Dawkins.
I hesitate here, wondering whether his name should begin a paragraph, have a whole paragraph to itself (room to stretch) or be hidden as it is. Should it even be on the cover of the book? Although endorsements from two other famous atheists would still be a giveaway.
Richard Dawkins is a famous - infamous - scientist. Yes, scientist. Contrary to popular opinion, he is not a professional atheist. We don't have popes. And if we did, he already has a job. Writing. (He's written more books than Danielle Steele. Ok, not quite. But still.) Notice how this is the first thing we tackle? No review says: "Bill Bryson tackles a range of subjects with thoroughness, but the airy-fairy-I-feel-'energy'-in-the-landscape factor is annoying." (Which he did FYI. And I was annoyed FYI.)
But this is actually relevant. If you had been consistently challenged over something like this with the virility of someone who feels passionately about something (feels, folks), would you be defensive or would you brush it off? Not being a saint, I would do the former. I might actually start graffiting walls or wearing leather jackets or hanging out in the hipster part of town. (*&$@ I already live there.)
Or poking at my bullies from the pages of my book. With a tone. You know the one. The one with feelings behind. The Magic of Reality is a good book and it addresses some of the fallacies in the Bryson book. Even though the book covers things I have already read about, precisely because I enjoy this type of book, the explanations and metaphors have changed how I visualise the concepts, so they are easier to pull out and elucidate at any moment. He has also given me better ways of evading? excavating? elucidating! them.
However, the 'true' here is between science and myth as explanations for, well, the world. You guessed it, with specific digs at Christianity. Enlightening sometimes, but often bullying. The true I was looking for was objectivity and our subjective viewpoint - not our experience of the world as metaphor, but what we can assume to be objective when our viewpoints are subjective.
Like the light spectrum and colour pondering, about whether colour is perceived differently by different people. (Answer is no FYI.) Or the tree falling soundlessly in a forest pondering. (Yes.) The philosophy of science pondering. (Maybe. All of the above. Who knows.)
Looking at it, that's a tall order for a book aimed at teenagers. If Pullman got away with blatant criticisms of Christianity without a peep from people with feelings though...
Both these authors capture a youthful exuberance (more abundant than the petty digs, I promise) at the world and how it can be explained. Even when talking about some of the myths, you can almost see Dawkins bobbing up and down with excitement. And if he graffitis a few walls, it's because he is so excited about the jigsaw puzzle of the world and being able to describe it, that he cannot contain himself. Feelings, again. Like colourful parasites.
So perhaps I did get what I was looking for in this book. I wanted someone to help me draw the line between subjective and objective. Until then, I view the world with suspicion. Dawkins didn't give me a slice of chalk and ruler; he gave me a glimpse of what it is like to view the world with excitement instead.
There is one other reason you might read this book. The reason I have held off mentioning the author until now. (Was I sneaky enough? Or did you cotton on in paragraph 2? That's usually where it happens. Yep. Blogger Stats tells me so. No, not really. We're waiting for the pupil tracking implants. Not, not really.) It's one of the reasons I chose this book for my aweary, vengeance-d, Kindle-less flight. Richard Dawkins.
I hesitate here, wondering whether his name should begin a paragraph, have a whole paragraph to itself (room to stretch) or be hidden as it is. Should it even be on the cover of the book? Although endorsements from two other famous atheists would still be a giveaway.
Richard Dawkins is a famous - infamous - scientist. Yes, scientist. Contrary to popular opinion, he is not a professional atheist. We don't have popes. And if we did, he already has a job. Writing. (He's written more books than Danielle Steele. Ok, not quite. But still.) Notice how this is the first thing we tackle? No review says: "Bill Bryson tackles a range of subjects with thoroughness, but the airy-fairy-I-feel-'energy'-in-the-landscape factor is annoying." (Which he did FYI. And I was annoyed FYI.)
But this is actually relevant. If you had been consistently challenged over something like this with the virility of someone who feels passionately about something (feels, folks), would you be defensive or would you brush it off? Not being a saint, I would do the former. I might actually start graffiting walls or wearing leather jackets or hanging out in the hipster part of town. (*&$@ I already live there.)
Or poking at my bullies from the pages of my book. With a tone. You know the one. The one with feelings behind. The Magic of Reality is a good book and it addresses some of the fallacies in the Bryson book. Even though the book covers things I have already read about, precisely because I enjoy this type of book, the explanations and metaphors have changed how I visualise the concepts, so they are easier to pull out and elucidate at any moment. He has also given me better ways of evading? excavating? elucidating! them.
However, the 'true' here is between science and myth as explanations for, well, the world. You guessed it, with specific digs at Christianity. Enlightening sometimes, but often bullying. The true I was looking for was objectivity and our subjective viewpoint - not our experience of the world as metaphor, but what we can assume to be objective when our viewpoints are subjective.
Like the light spectrum and colour pondering, about whether colour is perceived differently by different people. (Answer is no FYI.) Or the tree falling soundlessly in a forest pondering. (Yes.) The philosophy of science pondering. (Maybe. All of the above. Who knows.)
Looking at it, that's a tall order for a book aimed at teenagers. If Pullman got away with blatant criticisms of Christianity without a peep from people with feelings though...
Both these authors capture a youthful exuberance (more abundant than the petty digs, I promise) at the world and how it can be explained. Even when talking about some of the myths, you can almost see Dawkins bobbing up and down with excitement. And if he graffitis a few walls, it's because he is so excited about the jigsaw puzzle of the world and being able to describe it, that he cannot contain himself. Feelings, again. Like colourful parasites.
So perhaps I did get what I was looking for in this book. I wanted someone to help me draw the line between subjective and objective. Until then, I view the world with suspicion. Dawkins didn't give me a slice of chalk and ruler; he gave me a glimpse of what it is like to view the world with excitement instead.
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