Sunday, July 19, 2015

The Dresden Files: #7 Dead Beat

The internet is not to be trusted. Not just because it is a Cold-War invention designed to decentralise information, a bit like a guerrilla cell, but because anyone can ‘publish’ anything, like a top five list of their favourite sandwich toppings (cheese (which is assumed as a fundamental ingredient in all food), egg, avo, cucumber and mayo, and chocolate spread) and Google might proclaim them expert in the culinary arts. (This blog does not appear on any search engine lists FYI. Perhaps Google doesn’t like my choice of sandwiches. Perhaps because you should visit my blog more often. #justsaying)

Anyway, when I wanted a light read, and had already read five Terry Pratchett’s in a (chronological) row, I typed in ‘top 10 supernatural apocalyptic horror’ to a search engine that has enough publicity already. Some of the lists were weighted by coming-of-age stories that encourage all sorts of abuse, and fantasies of death – you know what I am talking about. Most of the others I had read. I had to be selective and so I jotted down only the titles of books that appeared in the same lists as the The Road; while lists that included Stranger in a Strange Land and excluded Margaret Atwood were dismissed with a click.

One title I had never heard of reappeared, making it a hit by Google standards. Dead Beat by Jim Butcher, part of the Dresden Files. This title is number 7 in the series (I will get to my opinion of series in general, if not now, then in a post built entirely for it). A site devoted to science fiction (obviously this site will have the answers I am looking for, and none of them are sandwiches) called this particular book ‘a kitchen sink book; Butcher manages to cram in werewolves, wizards, vampires, fairies, demons and zombies, without making it feel crowded’. She forgot the T-Rex.

I can hear you, shifting the cursor indecisively toward the cross at the top of the screen. That would have been my reaction. Until the improbable happened: the security post to my suspension of disbelief malfunctioned. Yep, I read a story about the fleshy ghost of a T-Rex ridden by a wizard without a pointy hat and with a staff, and I believed it (as in I believed this could happen in that fantasy Earth, not now, here, in front of me. Just to clarify). That dinosaur was maybe the coolest character in any story I have recently read, except for Commander Vimes of the Nightswatch.

Again, hear me out. Google Analytics also records how long you spend reading my blog, and have I mentioned I am broke-ass writer, whose career may begin or end with your reading? I finished reading Dead Beat in a couple of hours, including some moonlit hours, and then decided to read the series in order. (I am on Book 3.) Because it was an erudite essay on human nature? Because it made me examine my sacred cows (hock included. I love that word. Hock)? Because it used the supernatural to comment on the ordinary? Kinda, kinda and kinda.

This is not a great book, but it is a very good book. So are books 1 and 2. And not because in number 4 a T-Rex that cuts a swathe of carnage through San Francisco, but because Book 2 includes four different types of werewolf (‘werewolf’ being an ambiguous term, as Mr Butcher shows us), also cutting a swathe of carnage. The most terrifying and rabid of the four is the loup-garou, a man whose family was cursed to turn on full moon. Sounds ordinary but no. This creature is, again, terrifying. It is huge and filled with a blood lust that shreds the man’s conscience when he wakes up.

You may have notice there are no Native Americans pacing in denim shorts. Jim Butcher obviously does a wealth of research, drawing deeply on various myths before painting them with his imagination. When he describes a T-Rex romping down a boulevard, he has contemplated the dimensions of beast and environment, and how one would go about riding it (see, a T-Rex leans forward when moving and leans back but not entirely vertical when standing, so he places the wizard near the neck of the creature, which is also far from the teeth).

The book earns its ‘very’ because it is two tsp detective novel to one tsp supernatural thriller, just without the make-up plastered, body-hugging dress wearing, purring femme fatale. In fact his range of female characters is more balanced than is usual in fantasy literature, which is not to say that he and his wizard don’t like a beautiful woman, because they do. They definitely do. The books are formulaic but in the way that Stephen King’s writing is good. It works. Because they are not predictable. Which seems obvious when the cast includes four type of werewolf, an energy vampire and a dinosaur. But it isn’t. Trust me, I’m an editor.

Harry Dresden is our private investigator and wizard, like in the pointy hat sense but without the pointy hat. (He does however possess a staff covered in runes, a talking skull and a cat.) He investigates the paranormal; he has a legitimate ad in the yellow pages that says ‘wizard’ although most people think he is a charlatan – including to some extent himself. He is employed by a branch of the police department, which thinks he is a charlatan too as well as a scape goat.

Can you focus, please? In Book 7 (I can hear you bleating about reading the books in order, but then please explain Star Wars), three sets of warlocks (or something) want to call on the brutish but sinister Elfking to chomp his way through the human race, making them kings and queens (or something). Of course, this can only happen at a specific time and place, because otherwise it would be difficult to get everyone together and string a plot across between them. Have I mentioned the zombies yet?

If you have reached this point and are thinking, ‘I don’t like science fiction’, I do not know why you are still reading. Either peg your disbelief over a clothesline or go away. You are breaking my train of thought.

Dresden is a more likeable Sherlock Holmes, with the wit of the Holmes (Robert Downey Jnr (who, FYI, I disliked in that role very much)) of the modern retellings. The wizard surprises even himself when he says something that isn’t sarcastic – some comments making me laugh loudly enough to frighten myself, the cats and my bunny. Like any good likeable hero, he tends to trip face-down into dangerous situations, stopping mid-step to (sometimes accidentally) smite someone.

But essentially our guy is ordinary. Apart from his magical powers – that make electrical items of any sort explode – a staff and a cat. But otherwise ordinary – except for the regular appearance of demons, fairies, vampires and zombies. Dresden is the good guy that we can all relate to. The guy trying to make a difference. Trying to live his life, without being impaled, scalped or set on fire over a misunderstanding.  

According to the head honchos of wizards and a chorus of supernatural beings, Dresden’s fatal flaw is his attachment to humanity. An attachment to people being and (this part’s important) staying alive. An attachment so strong he is always shielding people from supernatural crazies. He is always trying to keep carnage down a minimum, but that means the rules have to bend to his will. Terrible, just terrible, right? No. His real flaw is giving other people benefit of the doubt that he often doesn’t give himself. He is strong, in most ways except physically, but not impervious to pain (Book 2 was a close one).  


Another site devoted to the fans of science fiction says, ‘If it ain't broke, don't fix it, and Butcher has had half a dozen books to figure out his formula is working for him. Yet he's deft enough to avoid repeating himself. He allows each volume to add a little something to the mythology that's been built up.’ You needn’t have read my waffle because this sums all My Point in a paragraph. Still, read it anyway.


In conclusion, this is a list of and recipes to make myfavourite sandwiches. *Psych* for those who skipped to the end – I even heaped on a trite introductory phrase for you. Do you still need a reason to read The Dresden Files? Here’s one for dorks like me: the books are also available as comics and audio books read by – wait for it – James Marsters aka Spike of Buffy and Spike. Indeed, fellow dorks. Indeed. 

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